I recently made Vogue 9311 for my daughter, Mehetabel, blogged here. (That's not her real name. I'm just trying to preserve some of her privacy while posting multiple photos of her on the internet! Heh.) Anyway, I decided to make the pattern again, and I planned to make several changes, but it turned out to be only one change in addition to the ones I'd made to the previous version.
First, I made a couple muslins to see if I could cut off the extended shoulders and raise the neckline. I couldn't make the change to the sleeve cap successfully without taking away the excess ease needed to keep the dress a pullover, so the sleeve cap remained as drafted. And, even though the raised neckline looked good, I decided to leave it as is.
Design Assistant Björn is more interested in the covey of quail on the front lawn |
But, since Mehetabel would like to wear a bra with these dresses, I added a small modesty panel to each version.
I dithered (my middle name might be "Dither") over what fabric to use, but finally settled on this poly/cotton blend from Mood. I originally purchased this fabric several years ago as a potential choice for Mehetabel's bridesmaids' dresses, because I thought it might work well with her pink wedding dress (pictured on the sidebar to the right). Ultimately, we went with an ivory crepe, so this floral remained in my stash.
The fabric is double-sided, but both Mehetabel and I didn't care for the reverse side. I think the fabric is pretty, but the quality of the weave is subpar, and it is also quite delicate. I had to work around some blemishes, the fabric skittered about, and it had a tendency to unravel.
The fabric is double-sided, but both Mehetabel and I didn't care for the reverse side. I think the fabric is pretty, but the quality of the weave is subpar, and it is also quite delicate. I had to work around some blemishes, the fabric skittered about, and it had a tendency to unravel.
I underlined the skirt with pale pink batiste, and used the batiste to line the bodice. The flounce is just the fashion fabric with a narrow hem. The modesty panel on this dress is made from the fashion fabric with an overlay of point d'esprit lace from my wedding dress. I lined the panel with batiste and hand sewed it to the bodice.
The dress went together without a hitch--well, except for the skittery fabric. Like the previous version, the most challenging part was pinning on the flounce. But, as I said about the earlier dress, that wasn't difficult, just tedious.
Here's the point d'esprit in question. Hello 80s! |
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